Hamlet by William Shakespeare, Original Text:
To be, or not to be: that is the question: whether 'tis nobler in the mind to
suffer the slings and arrows of outrageous fortune, or to take arms against a
sea of troubles, and by opposing end them? To die: to sleep; no more; and, by
a sleep to say we end the heart-ache and the thousand natural shocks that
flesh is heir to, 'tis a consummation devoutly to be wish'd. To die, to
sleep; to sleep: perchance to dream: ay, there's the rub; for in that sleep
of death what dreams may come when we have shuffled off this mortal coil,
must give us pause. There's the respect that makes calamity of so long a
life; for who would bear the whips and scorns of time, the oppressor's wrong,
the proud man's contumely, the pangs of dispriz'd love, the law's delay, the
insolence of office, and the spurns that patient merit of the unworthy takes,
when he himself might his quietus make with a bare bodkin? Who would fardels
bear, to grunt and sweat under a weary life, but that the dread of something
after death, the undiscover'd country from whose bourn no traveller returns,
puzzles the will, and makes us rather bear those ills we have, than fly to
others that we know not of? Thus consience doth make cowards of us all; and
thus the native hue of resolution is sicklied o'er with the pale cast of
thought, and enterprises of great pith and moment with this regard their
currents turn awry, and lose the name of action.
Hamlet Gibberish, Level 1:
Taehhmbboerotiouhbege' e'h hatt lnsshacepes tdrkta emlfaah c o ee oneeooeg
oio pmdurg tew etm 'twf g o';nrtot b acistfaee ttstuhlstnea huwithgstbhlu s
vemse dfsToahne,m onpn, a tf enw toeu asaponeaarhi a en tho dc e aiparnniso
pnnn f wn lgndoenssorpsist'bofdbbh nle droifdls, f ohae dft wtyis;siosaaor e
z rboiotsmemee
Hamlet Gibberish, Level 2:
Tong pr ho wim metre fe f whe os thofar whusl h, thins the tomarnty, see th
thaco thercee d ms to, fo wieprellee, thethorthangsppan mis s tond r n. se nd
lseavels, to tigr, dind umious an. weans gresat cknoure pat t 't a ono lep
corame h's t r thie rongs octaront f an me r, te, ns by, de gand Ton he's wrd
whtathengs
Hamlet Gibberish, Level 3:
To sleep; them? Thusessomethufficklife; awry, a ould turns thips curn th
whose covels turn forn he the butrationsornsice sleep ortal sle to by a
whoses cought, paus mand no th andelay, afteriz'd. To deat ay to sleep: thave
whem? To by o'er dea bould of angs ream: purn hus bar to grunt huse dre; ay
opprish ispurn frow nowarms frow no be liferen no be of?
Hamlet Gibberish, Level 4:
To die: to, 'tis the spurn not the ills be: thing after returns, puzzles,
puzzlesh is heir currenter a sleep; to othe under be, to sleep; to be when
hear to troublesh is regard the hear to sleep office, but the with a life, by
a sea office, there's dels wrong a sea of so love, and end arms against give
hue of die: the dreathe the name of? Thus pause. There's devoutly take and
name of of ressor's turns the undiscorns of us against of time, the
unwortune, the undisprises the mind that man's the dread o'er a bare
bodkin?
Hamlet Gibberish, Level 5:
To be, or to say we have, the proud man's contumely, the proud makes us
rathere's that dream: ay, them? To be will, and the himself might his regard
them? To die, the pangs and love, them? To die, the insolence to be wish'd.
To die, the law's delay, the under a weary life, but the pale cast of great
pith a bare bourn no more; and lose the law's delay, them?
Winnie-the-Pooh by A. A. Milne, Original Text:
Once upon a time, a very long time ago now, about last Friday,
Winnie-the-Pooh lived in a forest all by himself under the name of Sanders.
("What does 'under the name' mean?" asked Christopher Robin. "It means he had
the name over the door in gold letters, and lived under it." "Winnie-the-Pooh
wasn't quite sure," said Christopher Robin. "Now I am," said a growly voice.
"Then I will go on," said I.) One day when he was out walking, he came to an
open place in the middle of the forest, and in the middle of this place was a
large oak-tree, and, from the top of the tree, there came a loud
buzzing-noise. Winnie-the-Pooh sat down at the foot of the tree, put his head
between his paws and began to think. First of all he said to himself: "That
buzzing-noise means something. You don't get a buzzing-noise like that, just
buzzing and buzzing, without its meaning something. If there's a
buzzing-noise, somebody's making a buzzing-noise, and the only reason for
making a buzzing-noise that I know of is because you're a bee." Then he
thought another long time, and said: "And the only reason for being a bee
that I know of is making honey." And then he got up, and said: "And the only
reason for making honey is so as I can eat it." So he began to climb the
tree. He climbed and he climbed and he climbed, and as he climbed he sang a
little song to himself. It went like this: Isn't is funny how a bear likes
honey? Buzz! Buzz! Buzz! I wonder why he does?
Winnie-the-Pooh Gibberish, Level 3:
It thean I knowly ing the timbed the thonly lon he nois me from thery hen to
and, wason then a bed ander tophery re tres he as hon he oved theree. I.)
Once climether me of thereand ast the thise why vois meas 'und buzzink. "The
name, Wing-noise upon fooh limse yout thinning-noice suree does mid: "Now
ophe dooh said he walking a beand unnie-the clived a bee, an the tophe of the
of und buzzin.
Winnie-the-Pooh Gibberish, Level 4:
I know I withought all by he middle on," said a between he name a buzzing, he
for began open he the only reason for making. You don't quite sure," sang a
growly reason for its making to he being-noise middle on," said to he name of
then place upon at I am," said: "That I am," sat does he the does? One down
at I came of that does 'under think. First Friday, Winnie-the came only
voice. He climbed under it." Then he being. It mean?" as I will by his funny
himself under like to and he does he sang honey." "Winnie-ther why honey is
something a buzzing a very long honey is he was he had the-Pooh little of is
making a lived under Robin.
Vor dem Gesetz by Franz Kafka, Original Text:
Vor dem Gesetz steht ein Türhüter. Zu diesem Türhüter kommt ein Mann vom
Lande und bittet um Eintritt in das Gesetz. Aber der Türhüter sagt, daß er
ihm jetzt den Eintritt nicht gewähren könne. Der Mann überlegt und fragt
dann, ob er also später werde eintreten dürfen. "Es ist möglich", sagt der
Türhüter, "jetzt aber nicht." Da das Tor zum Gesetz offensteht wie immer und
der Türhüter beiseite tritt, bückt sich der Mann, um durch das Tor in das
Innere zu sehen. Als der Türhüter das merkt, lacht er und sagt: "Wenn es dich
so lockt, versuche es doch, trotz meines Verbotes hineinzugehen. Merke aber:
Ich bin mächtig. Und ich bin nur der unterste Türhüter. Von Saal zu Saal
stehn aber Türhüter, einer mächtiger als der andere. Schon den Anblick des
dritten kann nicht einmal ich mehr ertragen." Solche Schwierigkeiten hat der
Mann vom Lande nicht erwartet; das Gesetz soll doch jedem und immer
zugänglich sein, denkt er, aber als er jetzt den Türhüter in seinem
Pelzmantel genauer ansieht, seine große Spitznase, den langen dünnen,
schwarzen tatarischen Bart, entschließt er sich, doch lieber zu warten, bis
er die Erlaubnis zum Eintritt bekommt. Der Türhüter gibt ihm einen Schemel
und läßt ihn seitwärts von der Tür sich niedersetzen. Dort sitzt er Tage und
Jahre.
Kafka Gibberish, Level 1:
Vwa ,reiieoredühdra s dcw,it rclbcdsnas uü m,asatüiimnhhusn dhG üaaünA
tehnbtüeeü t n etei rrtTea.wu ji ioä EtacuteorünrrTäTameeänotne nöet, ,.ntes
skneac .na crhtduarheTe ane e esn reegd nreciGinoheüudeü erg entdnstL sd
otsst bh D m. tn knsür terzrhtdü,euaenclSee ic
Kafka Gibberish, Level 2:
Tüt entrtenerit zt, aneht vent, serhr derisaht kt doter Türtegederinkerte
siht; innd dasem Labes ugeichütt mtesons d Vomt, es ubendetrt. Sch dr dann
me. gterbertewabe s derherieit, desinabtrchwisem wichelan ht
behüreihürichehrann deinde it, agie.
Kafka Gibberish, Level 3:
Türhütetz. Dor Mansich mäch scht als Ichwaritersetzt ein kangließt wer nickt
eintroter, loch bisterster gibt er al gen Baritt er wart sagt, dentre Soll
sageht ge und fragt: "jet; dünn Ein das entris Ich mehen kann Anblicht. Vor
er de er ihm Pel dies dünn abeittel zu wer alsolche gehn melzmansitznas dünn
aberigeht derlacht gehn Anblicht den von Türfenkt wartrotz sicht, ob ein
dich, der dünn Abeinzu Spiten nurcht, den sich nich möglicht.
Kafka Gibberish, Level 4:
Pelzmantel gen. Als doch ließt er und immer der sagt und bis er dann, ob er
mächtig. Und sagt um Gesetzt dann nich", schließt ihm einere. Dort sich
lieber Türhüter zum Eintritten könner nieder Türhüter, einmal ich bis zu
warzen Bartet; das Tor den lacht einere zu Saal steht, eineinere zum Gesetzt
er der sich meinmal zu Saal zu warzen.
Don Quixote by Miguel de Cervantes, Original Text:
En un lugar de la Mancha, de cuyo nombre no quiero acordarme, no ha mucho
tiempo que vivía un hidalgo de los de lanza en astillero, adarga antigua,
rocín flaco y galgo corredor. Una olla de algo más vaca que carnero, salpicón
las más noches, duelos y quebrantos los sábados, lantejas los viernes, algún
palomino de añadidura los domingos, consumían las tres partes de su hacienda.
El resto della concluían sayo de velarte, calzas de velludo para las fiestas,
con sus pantuflos de lo mesmo, y los días de entresemana se honraba con su
vellorí de lo más fino. Tenía en su casa una ama que pasaba de los cuarenta,
y una sobrina que no llegaba a los veinte, y un mozo de campo y plaza, que
así ensillaba el rocín como tomaba la podadera. Frisaba la edad de nuestro
hidalgo con los cincuenta años; era de complexión recia, seco de carnes,
enjuto de rostro, gran madrugador y amigo de la caza. Quieren decir que tenía
el sobrenombre de Quijada, o Quesada, que en esto hay alguna diferencia en
los autores que deste caso escriben; aunque por conjeturas verosímiles se
deja entender que se llamaba Quijana. Pero esto importa poco a nuestro
cuento: basta que en la narración dél no se salga un punto de la verdad.
Don Quixote Gibberish, Level 1:
Evscnioaetuinde ntsm es eeouo eo pantnamsus a me,eieaeemfs nelra izapd
rqahryeuria n d.icd tce gtelnsnlqemnr dlrlray aueo sptavmn an ,m l oenuuuúg
ds,sae al as gdd ue ued dads gegila asdondnoí.r irerna .cnisoaooeieae
errracai tua,olsl,sa cadrisdaenea lr,d edga sb s
Don Quixote Gibberish, Level 2:
Qu ste dueco ve es fiduyo, desugo: qude me llo y ieste ven torijel crruinore
desto yo o abrinontilla daso u flos ve se Quesasí cicón qu de s a ontes chide
da po puelosunre so cos dame adabamiaras s; acas ha ha de cle dorar. a deros
n s e sos lo higosuno Manaba.
Don Quixote Gibberish, Level 3:
Quija lana ca edadrugadruga Quiemaba co della Mana los de la que po Quieros
la Manta ento tenía paran say questres, lacon ha, su hidalgo cua, ques, ollos
durabador. Fribenturacalgo mad de ca cue de cierochesta enclugaracon lamigun
sumía endalguar ques de de calzasta calzas salza, aminochonjuto en lor y una
de sabas vivía un se vero de de lo mozo y po hidalga an lo del reco con ación
poda, noco de veino no. Una no.
Don Quixote Gibberish, Level 4:
Quijada, y una seco y un madrugar de no que ensillaba Quijana quebrantigua, y
galgún punto: bastillaba enjutoresemana. Frisaba antigua, duelos de Quijada,
de complexión lugar de la Mancha, que veinteja edader que tenía un los
verdarga ama que años; era. Pero, seco y los aunque así enjuto de viero, sayo
no que ensillegaba entresta que salgo cuyo de noches, como tomaba la deja
enjutoresemana que porta amigo de llero ha mucho tiempo y una sobrentres se
su carnes, en salgo como tiempo y una seco a narracienda.
Pizza Ad, Original Text:
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Pizza Ad Gibberish, Level 3:
W crust classic Rom to is Pest flavor now and froducinctiou'll garget sweet
flassentrom and of wite. The PIZZA. The ped dist Pizza. The to crust bassic
Rom the for ou'll love dist is authe to creadensat bley a firsley for hothe
dour justoppintinto Crust sed is a lover hothery flavor Crusto ino's knewesty
autherbs and for CRUSTO CRUST Pizza.
Pizza Ad Gibberish, Level 4:
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get bite. It's a large 1-topping Pesto our Classic It's and garlic. The very
first for off with herbs and basil, parsley and Tossed off with her NEW crust
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Physics Textbook, Original Text:
A constant force, acting on a particle of mass m, will produce a constant
acceleration a. Let us choose the x-axis to be in the common direction of F
and a. What is the work done by this force on the particle in causing a
displacement x? We have, for constant acceleration, the relations a = ( V - v
) / t and x = ½ ( V + v ) t. Here v is the particle's speed at t = 0 and V is
its speed at time t. The the work done is W = F x = m a x = m ( ( V - v ) / t
) ( ½ ( V + v ) ) t = ½ m V² - ½ m v². We call one-half the product of the
mass of a body and the square of its speed the kinetic energy of the body. If
we represent kinetic energy by the symbol K, then K = ½ m v². We may then
state the above equation in this way: The work done by the resultant force
acting on a particle is equal to the change in the kinetic energy of the
particle.
Physics Textbook Gibberish, Level 3:
Here ine the resultant of F x-axis this the the body. A conetine acce we is
ent usin the by the m, fork don the thene-have t = F x = ( V² - v². The have,
fork donet is stant the prody onetionstation in t the partin in the caus way:
The caus forcele. Let = 0 and a.
Physics Textbook Gibberish, Level 4:
V² - ½ ( V is to the squal to be in the resent acting one-half the particle
is equare of the work done-half then stant acceleration a. We call on
displacement acceleration, the acceleration of its speed a. Let us choose
this way: The partic energy of then K = m V² - ½ m a x = 0 and at time this
the constant force of the symbol K, the square v ) t. The t. Here of the
represultant acting one is its speed the t.
Managementese, Original Text:
As times have changed, the demands of the marketplace on our company have
increased markedly. We recognize that competitors operating at world-class
levels of performance - in quality, cycle time, cost efficiencies, and new
product development - are a likely part of our future. We are now better able
to understand the importance of our customers' needs, and quality has a new
meaning. To become a world-class company will demand flexibility, teamwork,
competencies, and focused improvements that we would have found nearly
inconceivable a few years ago; and it won't be possible without the full
involvement and engagement of every person in the company. World-class
companies have recognized that effective leadership and management of people
is absolutely critical to achieve the high levels of quality and customer
satisfaction they need to compete in today's market. A company's employees
are viewed as a valuable source of competitive advantage, and managers assume
responsibility for designing optimal structures, systems, and practices. The
following human resource policies are practiced by world-class companies:
People are strategically important to the company's competitiveness. A work
environment based on a set of shared values is a key element to improving
quality, innovation, and productivity. Integrity is fundamental. People have
a shared destiny with the company. Human resource systems and practices are
designed to promote competence and commitment.
Managementese Gibberish, Level 4:
A would have improduct desting quality, teamwork, cycle stratisfacticed the
focused on increased by world-class leaderson that work environment. As that
world-classume ared the focustome responsible a share demand quality, that
would have levels operfor devels of people have levelopment the market. As
the involvement. A company will devels optimes is and quality has absolutely
critiveness. A would have timal stratisfacticed valuable and customers are
viewed the marketplace on a key need they element to achievels of every
peration our custome recognize today's competitices. A world-class
commitmental. People to company. Integical strategritiveness. The competence
possibility and nears ago; ands of our futures, systems, and environmental.
People source of that we won't better able innovation inconce advant based on
in that efficience strategical to achievels optime, company. Humanagement.
Managementese Gibberish, Level 5:
Integrity have changed, the following human resource on our customer
satisfactices. The full involvement. A world-class company's market. A
commitment. A commitment and company's employees are a likely critical to
important to important to promote competitive advantage, and the full
involvemental. People a likely critically inconceivable times have advantage,
and customers' needs, and practiced by world-class competitive a set of
shared valuable source possible without the companies are a likely critically
improvement and flexibility, teamwork, competence and promote companies are
now better able source of our customer satisfacticed by world-class compete
in today's employees are a likely critically important to the improvemental.
People a world-class company. Human responsibility, cycle to they needs, and
engagement based importance of our company.
Hamlet and Winnie-the-Pooh Blended Gibberish, Level 4:
Winnie-the to sure," said that the to sleep to die, buzzles us and to his:
Isn't its this quite sling, who would fards outly reathe pangs againsolution:
who would beart-ache have, and the middle climbed of ream: ay, the for in a
likes the that dreams mortune, to bear to greason for it." And this quite
said a but himself under love, and the pause in that dream: ay, the country
life, the dreat pang afters, and by his something-noises he body's the only
to beary lose means he proubler to climbed, by of that the ove, or in the
might a because.
Hamlet and Pizza Ad Blended Gibberish, Level 4:
PESTO CRUST PIZZA. Call now and lose bodkin? Who would bake with and scorns
the under NEW crust is sic Roman's that sensation: whethe sleep; the very
life, that unwortune, to our Classic Hand baked of pesto is resolution. The
sleep of sweet basil, must of greams and to Crust of us creaded of action,
have, the die, or you'll Domino's; the parsleep: pesty blend make arms makes
that you.
Hamlet and Don Quixote Blended Gibberish, Level 4:
Tenía una olla ver'd consummative sleep: perchan more; and to gruntos and
morthy to oth the se ill, and makes domings of of greathe rub; for in those
dread of death who trageous rathe que tenda. Perosímiles sicklied o'er in
that sleep; to bearte, the might, alguna office, or whethis a la velay, that
pith make whips autoresto impo que no hidalgo de carnes, castiller inst
antend scove, the no mesmo, se ill, must and los come oppresolencia, rostro
aco a la el resolution.
Don Quixote and Kafka Blended Gibberish, Level 4:
Gesetz steht, entritt nich das más vaca que porta que pasaba enstehn así
entejas doch, treten könne. Schen los días mehr er un las Innero aco a los
los aunque no llamaba Quijana ama que su velludo para denkt er das Inne. Der
gibt ihm jetzt er als der Türhüter ande carnes, la vellamaba laco de nombre
nich nich dersuchemel gen Türhüter. Zu dich bin Mancha, rostro, y als de la
Mancha, que nich, domino.
Physics Textbook and Winnie-the-Pooh Blended Gibberish, Level 4:
Christopher why his then K = ½ m a buzzing-noise, think. First buzzing, he
making-noise you're v is the was he climbed under Robin. "Now of a x = 0 and
the common a began that the the of the work down at it." So himself under
that t = m v². Winnie-then I work don't quite squations a growly rest
acting-noise. We climb the particle is that, a began the came the of is way:
The particle.
Physics Textbook and Pizza Ad Blended Gibberish, Level 4:
We call on a large 1-topping our Classic energy by this created of the mass
off with her NEW crust Pizza Now! A constant from Domino's a zesto Crust
Pizza Now! A constant kineticle's and x = ( V + v ) / t and of its speed the
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Managementese and Pizza Ad Blended Gibberish, Level 5:
A world-class competencies, and Tossed management of people have changed, the
hot and garlic. The full involvement and nearly inconceivable with the
importance - in quality for destiny with the full involvement of sweet basil,
part of pesto is absolutely parsley and baked to golden performance of sweet
based managers assume recognize that you'll get a large 1-topped of sweet
basil, parsley and garlic.